Chapter 13
I
“SO GOD SAID TO SATAN, ‘Look at my man Job. Look at him. There’s a good man, if ever I saw one.’ ” Philip paused for effect. This was not a translation, of course: this was a freestyle retelling of the story. “ Tell me if that isn’t a perfect and upright man, who fears God and does no evil.’ So Satan said: ‘Of course he worships you. You’ve given him everything. Just look at him. Seven sons and three daughters. Seven thousand sheep, and three thousand camels, and five hundred pairs of oxen, and five hundred asses. That’s why he’s a good man.’ So God said: ‘All right. Take it all away from him, and see what happens.’ And that’s what Satan did.”
While Philip was preaching, his mind kept wandering to a mystifying letter he had received that morning from the archbishop of Canterbury. It began by congratulating him on obtaining the miraculous Weeping Madonna. Philip did not know what a weeping madonna was but he was quite sure he did not have one. The archbishop was glad to hear that Philip was recommencing the building of the new cathedral. Philip was doing no such thing. He was waiting for a sign from God before doing anything, and while he waited he was holding Sunday services in the small new parish church. Finally Archbishop Theobald commended his shrewdness in appointing a master builder who had worked on the new chancel at Saint-Denis. Philip had heard of the abbey of Saint-Denis, of course, and the famous Abbot Suger, the most powerful churchman in the kingdom of France; but he knew nothing of the new chancel there and he had not appointed a master builder from anywhere. Philip thought the letter had probably been intended for someone else and sent to him in error.
“Now, what did Job say, when he lost all his wealth, and his children died? Did he curse God? Did he worship Satan? No! He said: ‘I was born naked, and I’ll die naked. The Lord gives and the Lord takes away—blessed be the name of the Lord.’ That’s what Job said. And then God said to Satan: ‘What did I tell you?’ And Satan said: ‘All right, but he’s still got his health, hasn’t he? A man can put up with anything while he’s in good health.’ And God saw that he had to let Job suffer some more in order to prove his point, so he said: ‘Take away his health, then, and see what happens.’ So Satan made Job ill, and he had boils from the top of his head to the soles of his feet.”
Sermons were becoming more common in churches. They had been rare when Philip was a boy. Abbot Peter had been against them, saying they tempted the priest to indulge himself. The old-fashioned view was that the congregation should be mere spectators, silently witnessing the mysterious holy rites, hearing the Latin words without understanding them, blindly trusting in the efficacy of the priest’s intercession. But ideas had changed. Progressive thinkers nowadays no longer saw the congregation as mute observers of a mystical ceremony. The Church was supposed to be an integral part of their everyday existence. It marked the milestones in their lives, from christening, through marriage and the birth of children, to extreme unction and burial in consecrated ground. It might be their landlord, judge, employer or customer. Increasingly, people were expected to be Christians every day, not just on Sundays. They needed more than just rituals, according to the modern view: they wanted explanations, rulings, encouragement, exhortation.
“Now, I believe that Satan had a conversation with God about Kingsbridge,” Philip said. “I believe that God said to Satan: ‘Look at my people in Kingsbridge. Aren’t they good Christians? See how they work hard all week in their fields and workshops, and then spend all day Sunday building me a new cathedral. Tell me they’re not good people, if you can!’ And Satan said: ‘They’re good because they’re doing well. You’ve given them good harvests, and fine weather, and customers for their shops, and protection from evil earls. But take all that away from them, and they’ll come over to my side.’ So God said: ‘What do you want to do?’ And Satan said: ‘Burn the town.’ So God said: ‘All right, burn it, and see what happens.’ So Satan sent William Hamleigh to set fire to our fleece fair.”
Philip took great consolation from the story of Job. Like Job, Philip had worked hard all his life to do God’s will to the best of his ability; and, like Job, he had been rewarded with bad luck, failure and ignominy. But the purpose of the sermon was to lift the spirits of the townspeople, and Philip could see that it was not working. However, the story was not yet over.
“And then God said to Satan: ‘Look now! You’ve burned that whole town to the ground, and they’restillbuilding me a new cathedral.Nowtell me they’re not good people!’ But Satan said: ‘I was too easy on them. Most of them escaped that fire. And they soon rebuilt their little wooden houses. Let me send a real disaster, then see what happens.’ And God sighed, and said: ‘What do you want to do now, then?’ And Satan said: ‘I’m going to bring the roof of that new church down on their heads.’ And he did—as we all know.”
Looking around the congregation, Philip saw very few people who had not lost a relative in that awful collapse. There was Widow Meg, who had had a good husband and three strapping sons, all of whom had died; she had not spoken a word since, and her hair was white. Others had been mutilated. Peter Pony’s right leg had been crushed, and he walked with a limp: he had been a horse catcher before, but now he worked for his brother, making saddles. There was hardly a family in town that had escaped. Sitting on the floor down at the front was a man who had lost the use of his legs. Philip frowned: who was he? He had not been injured in the roof collapse—Philip had never seen him before. Then he recalled being told that there was a cripple begging in the town and sleeping in the ruins of the cathedral. Philip had ordered that he be given a bed in the guesthouse.
His mind was wandering again. He returned to his sermon. “Now, what did Job do? His wife said to him: ‘Curse God, and die.’ But did he? He did not. Did he lose his faith? He did not. Satan was disappointed in Job. And I tell you”—Philip raised his hand dramatically, to emphasize the point—“I tell you, Satan is going to be disappointed in the people of Kingsbridge! For we continue to worship the true God, just as Job did in all his tribulations.”
He paused again, to let them digest that, but he could tell he had failed to move them. The faces that looked up at him were interested, but not inspired. In truth he was not an inspirational preacher. He was a down-to-earth man. He could not captivate a congregation by the force of his personality. People did become intensely loyal to him, it was true, but not instantly: it happened slowly, over time, as they came to understand how he lived and what he achieved. His work sometimes inspired people—or it had, in the old days—but never his words.
However, the best part of the story was to come. “What happened to Job, after Satan had done his worst? Well, God gave him more than he had in the first place—twice as much! Where he had grazed seven thousand sheep, he now had fourteen thousand. The three thousand camels he had lost were replaced by six thousand. And he fathered seven more sons and three more daughters.”
They looked indifferent. Philip plowed on. “And Kingsbridge will prosper again, one day. The widows shall marry again, and the widowers find wives; and those whose children died shall conceive again; and our streets will be full of people, and our shops stocked with bread and wine, leather and brass, buckles and shoes; and one day we will rebuild our cathedral.”
The trouble was, he was not sure he believed it himself; and so he could not say it with conviction. No wonder the congregation was unmoved.
He looked down at the heavy book in front of him, and translated the Latin into English. “And Job lived a hundred and forty years more, and saw his sons, and his grandsons, and his great-grandsons. And then he died, being old and full of days.” He closed the book.
There was a disturbance at the back of the little church. Philip looked up irritably. He was aware that his sermon had not had the effect he hoped for, but nevertheless he wanted a few moments of silence at the end of it. The church door was open, and all those at the back were looking out. Philip could see quite a crowd outside—it must contain everyone in Kingsbridge who was not in the church, he thought. What was going on?
Several possibilities went through his mind—there had been a fight, a fire, someone was dying, a large troop of horsemen was approaching—but he was completely unprepared for what actually happened. First, two priests came in carrying a statue of a woman on a board draped with an embroidered altar cloth. The solemnity of their demeanor suggested that the statue represented a saint, presumably the Virgin. Behind the priests walked two more people, and they provided the bigger surprise: one was Aliena, and the other was Jack.
Philip regarded Jack with affection mingled with exasperation. That boy, he thought: on the day he first came here the old cathedral burned down, and since then nothing connected with him has been normal. But Philip was more pleased than annoyed by Jack’s entrance. Despite all the trouble the boy caused, he made life interesting. Boy? Philip looked at him again. Jack was no longer a boy. He had been away two years but he had aged ten, and his eyes were weary and knowing. Where had he been? And how had Aliena found him?
The procession moved up the middle of the church. Philip decided to do nothing and see what happened. A buzz of excitement went around as people recognized Jack and Aliena. Then there was a new sound, rather like a murmur of awe, and someone said: “She weeps!”
Others repeated it like a litany: “She weeps! She weeps!” Philip peered at the statue. Sure enough, there was water coming from the eyes. He suddenly remembered the archbishop’s mysterious letter about the miraculous Weeping Madonna. So this was it. As to whether the weeping was a miracle, Philip would suspend judgment. He could see that the eyes appeared to be made of stone, or perhaps some kind of crystal, whereas the rest of the statue was wooden: that might have something to do with it.
The priests turned around and put the board down on the floor so that the Madonna was facing the congregation. Then Jack began to speak.
“The Weeping Madonna came to me in a far, far country,” he began. Philip resented his taking over the service but he decided not to act precipitately: he would let Jack have his say. Anyway, he was intrigued. “A baptized Saracen gave her to me,” Jack went on. The congregation murmured in surprise: Saracens were usually the barbaric black-faced enemy in such stories, and few people knew that some of them were actually Christians. “At first I wondered why she had been given to me. Nevertheless, I carried her for many miles.” Jack had the congregation spellbound. He’s a better preacher of sermons than I am, Philip thought ruefully; I can feel the tension building already. “At last I began to realize that she wanted to go home. But where was her home? Finally it came to me: she wanted to go to Kingsbridge.”
The congregation broke into a hubbub of amazement. Philip was skeptical. There was a difference between the way God worked and the way Jack worked, and this had the hallmark of Jack. But Philip remained silent.
“But then I thought: What am I taking her to? What shrine will she have at Kingsbridge? In what church will she find her rest?” He looked around at the plain whitewashed interior of the parish church, as if to say: This obviously will not do. “And it was as if she spoke aloud, and said to me: ‘You, Jack Jackson, shall make me a shrine, and build me a church.’ ”
Philip began to see what Jack was up to. The Madonna was to be the spark that reignited the people’s enthusiasm for building a new cathedral. It would do what Philip’s sermon about Job had failed to do. But still Philip had to ask himself: Is this God’s will, or just Jack’s?
“So I asked her: ‘With what? I have no money.’ And she said: ‘I will provide the money.’ Well, we set off, with the blessing of Archbishop Theobald of Canterbury.” Jack glanced up at Philip as he named the archbishop. He’s telling me something, Philip thought: he’s saying that he’s got powerful backing for this.
Jack swung his gaze back to the congregation. “And along the road, from Paris, across Normandy, over the sea, and all the way to Kingsbridge, devout Christians have given money for the building of the shrine of the Weeping Madonna.” With that, Jack beckoned to someone outside.
A moment later two beturbaned Saracens marched solemnly into the church, carrying on their shoulders an iron-bound chest.
The villagers cowered back from them in fear. Even Philip was astonished. He knew, in theory, that Saracens had brown skin, but he had never seen one, and the reality was amazing. Their swirling, brightly colored robes were equally striking. They strode through the awestruck congregation and knelt before the Madonna, placing the chest reverently on the floor.
