He was not in the garden behind the alehouse, where men commonly fell asleep, and were saved from freezing by the heat of the fetid dunghill. She went down to the bridge and walked fearfully along the bank to a bend in the river where debris was washed up. A family of ducks was scavenging among the bits of wood, wornout shoes, rusty discarded knives and rotting meat bones on the beach. Jack was not there, thank God.
She went back up the hill and into the priory close, where the cathedral builders were beginning their day’s work. She found Tom in his shed. “Has Jack come back?” she said hopefully.
Tom shook his head. “Not yet.”
As she was going out, the master carpenter came up, looking worried. “All our hammers have gone,” he said to Tom.
“That’s funny,” Tom said. “I’ve been looking for a hammer and can’t find one.”
Then Alfred put his head around the door and said: “Where are all the masons’ bolsters?”
Tom scratched his head. “It seems as if every hammer on the site has disappeared,” he said in a baffled voice. Then his expression changed, and he said: “That boy Jack is behind this, I’ll bet.”
Of course, Aliena thought. Hammers. Felting. The mill.
Without saying what she was thinking, she left Tom’s shed and hurried across the priory close, going past the kitchen, to the southwest corner, where a channel diverted from the river drove two mills, one old and the other brand-new. As she had suspected, the wheel of the old mill was turning. She went inside.
What she saw confused and frightened her at first. There was a row of hammers fixed to a horizontal pole. Apparently of their own volition the hammers lifted their heads, like horses looking up from the manger. Then they went down again, all together, and struck simultaneously with a mighty bang that made her heart stop. She gave a cry of shock. The hammers lifted their heads, as if they had heard her cry, then they struck again. They were pounding a length of her loose-woven cloth that lay in an inch or two of water in a shallow wooden trough of the type used by mortar makers on the building site. The hammers were felting the cloth, she realized, and she stopped being frightened, although they still looked disturbingly alive. But how was it done? She saw that the pole on which the hammers were fixed ran parallel with the shaft of the mill wheel. A plank fixed to the shaft went round and round as the shaft turned. When the plank came around, it connected with the handles of the hammers, pushing the handles down so that the heads came up. As the plank continued to turn the handles were released. Then the hammers fell and pounded the cloth in the trough. It was exactly what Jack had talked about that evening: a mill that could felt cloth.
She heard his voice. “The hammers should be weighted so that they fall harder.” She turned around and saw him, looking tired but triumphant. “I think I’ve solved your problem,” he said, and grinned sheepishly.
“I’m so glad you’re all right—we were worried about you!” she said. Without thinking, she threw her arms around him and kissed him. It was a very brief kiss, not much more than a peck; but then, when their lips separated, his arms went around her waist, holding her body gently but firmly against his own, and she found herself looking into his eyes. All she could think of was how happy she was that he was alive and unhurt. She gave him an affectionate squeeze. She was suddenly aware of her own skin: she could feel the roughness of her linen undershirt and the soft fur of her boots, and her nipples tingled as they pressed against his chest.
“You were worried about me?” he said wonderingly.
“Of course! I hardly slept!”
She was smiling happily, but he looked terribly solemn, and after a moment his mood overcame hers, and she felt strangely moved. She could hear her heart beating, and her breath came faster. Behind her, the hammers thudded in unison, shaking the wooden structure of the mill with each concerted blow, and she seemed to feel the vibration deep inside her.
“I’m all right,” he said. “Everything’s all right.”
“I’m so glad,” she repeated, and it came out in a whisper.
She saw him close his eyes and bend his face to hers, and then she felt his mouth on her own. His kiss was gentle. He had full lips and a soft adolescent beard. She closed her eyes to concentrate on the sensation. His mouth moved against hers, and it seemed natural to part her lips. Her mouth had suddenly become ultra-sensitive, so that she could feel the lightest touch, the tiniest movement. The tip of his tongue caressed the inside of her upper lip. She felt so overwhelmed with happiness that she wanted to cry. She pressed her body against his, crushing her soft breasts against his hard chest, feeling the bones of his hips dig into her belly. She was no longer merely relieved that he was safe, and glad to have him here. Now there was a new emotion. His physical presence filled her with an ecstatic sensation that made her slightly dizzy. Holding his body in her arms, she wanted to touch him more, to feel more of him, to get even closer. She rubbed his back with her hands. She wanted to feel his skin, but his clothes frustrated her. Without thinking, she opened her mouth and pushed her tongue between his lips. He made a small animal sound in the back of his throat, like a muffled moan of delight.
The door of the mill banged open. Aliena pulled away from Jack. Suddenly she felt shocked, as if she had been fast asleep and someone had slapped her to wake her up. She was horrified by what they had been doing—kissing and rubbing one another like a whore and a drunk in an alehouse! She stepped back and turned around, mortified with embarrassment. The intruder was Alfred, of all people. That made her feel worse. Alfred had proposed marriage to her, three months ago, and she had refused him haughtily. Now he had seen her acting like a bitch in heat. It seemed somehow hypocritical. She flushed with shame. Alfred was staring at her, his expression a mixture of lust and contempt that reminded her vividly of William Hamleigh. She was disgusted with herself for giving Alfred a reason to look down on her, and furious at Jack for his part in it.
She turned away from Alfred and looked at Jack. When his eyes met hers he registered shock. She realized that her anger was showing in her face but she could not help it. Jack’s expression of dazed happiness turned into confusion and hurt. Normally that would have melted her, but now she was too upset. She hated him for what he had made her do. Quick as a flash, she slapped his face. He did not move, but there was agony in his look. His cheek reddened where she had hit him. She could not bear to see the pain in his eyes. She tore her gaze away.
She could not stay there. She ran to the door with the incessant thud of the hammers pounding in her ears. Alfred stepped aside quickly, looking almost frightened. She dashed past him and went through the door. Tom Builder was just outside, with a small crowd of building workers. Everyone was heading for the mill to find out what was going on. Aliena hurried past them without speaking. One or two of them glanced curiously at her, making her burn with shame; but they were more interested in the hammering sound coming from the mill. The coldly logical part of Aliena’s mind recalled that Jack had solved the problem of felting her cloth; but the thought that he had been up all night doing something for her only made her feel worse. She ran past the stable, through the priory gate, and along the street, her boots slipping and sliding in the mud, until she reached her house.
When she got inside she found Richard there. He was sitting at the kitchen table with a loaf of bread and a bowl of ale. “King Stephen is on the march,” he said. “The war has started again. I need a new horse.”
IV
For the next three months Aliena hardly spoke two words in a row to Jack.
He was heartbroken. She had kissed him as if she loved him, there was no mistaking that. When she left the mill he felt sure they would kiss like that again, soon. He walked around in an erotic haze, thinking: Aliena loves me! Aliena loves me! She had stroked his back and put her tongue into his mouth and pressed her breasts against him. When she avoided him he thought at first that she was just embarrassed. She could not possibly pretend not to love him, after that kiss. He waited for her to get over her shyness. With the help of the priory carpenter he made a stronger, more permanent fulling mechanism for the old mill, and Aliena got her cloth felted. She thanked him sincerely, but her voice was cold and her eyes evaded his.
When it had gone on not just for a few days, but for several weeks, he was forced to admit that there was something seriously wrong. A tidal wave of disillusionment engulfed him, and he felt as if he would drown in regret. He was baffled. He wished miserably that he was older, and had more experience with women, so that he could tell whether she was normal or peculiar, whether this was temporary or permanent, and whether he should ignore it or confront her. Being uncertain, and also being terrified of saying the wrong thing and making matters worse, he did nothing; and then the constant feeling of rejection began to get to him, and he felt worthless, stupid, and impotent. He thought how foolish he was, to have imagined that the most desirable and unattainable woman in the county might fall for him, a mere boy. He had amused her for a while, with his stories and his jokes, but as soon as he had kissed her like a man, she had run away. What a fool he was to have hoped for anything else!
After a week or two of telling himself how stupid he was he began to get angry. He was irritable at work, and people started to treat him warily. He was mean to his stepsister, Martha, who was almost as hurt by him as he was by Aliena. On Sunday afternoons he wasted his wages gambling on cockfights. All his passion came out in his work. He was carving corbels, the jutting-out stones that appeared to support arches or shafts that did not reach all the way to the ground. Corbels were often decorated with leaves, but atraditional alternative was to carve a man who appeared to be holding up the arch with his hands or supporting it on his back. Jack altered the customary pattern just a little, but the effect was to show a disturbingly twisted human figure with an expression of pain, condemned, as it were, to an eternity of agony as he held up the vast weight of stone. Jack knew it was brilliant: nobody else could carve a figure that looked as if it were in pain. When Tom saw it he shook his head, unsure whether to marvel at its expressiveness or disapprove of its unorthodoxy. Philip was very taken with it. Jack did not care what they thought: he felt that anyone who disliked it was blind.
One Monday in Lent, when everyone was short-tempered because they had not eaten meat for three weeks, Alfred came to work with a triumphant look on his face. He had been to Shiring the day before. Jack did not know what he had done there but he was clearly pleased about it.
During the midmorning break, when Enid Brewster tapped a barrel of ale in the middle of the chancel and sold it to the builders, Alfred held out a penny and called: “Hey, Jack Tomson, fetch me some ale.”
This is going to be about my father, Jack thought. He ignored Alfred.
