“Ms. Welsh doesn’t know that,” Claire says.
“You think she doesn’t?” I say. “You think she won’t go into your phone records and know exactly where you were that night? Or go into the computer of your Bentley? All you will be doing, whatever your motivation is, is opening yourself up to a perjury rap.”
“I’m willing to risk it.”
She checks her phone again.
“The minute you say you were with him,” I tell her, “Katherine Welsh will be waving the photograph of your husband in the vicinity of the Carson house the night of the murders.”
“Rob told me that you told him that the photograph was altered.”
“Thinking it and proving it are two entirely different matters,” I say. “But I am pleased to discover that you and Rob have been consulting on my case.”
“You mean as opposed to his case?” she asks.
“You know what I mean.”
“Me testifying as one of Ms. Welsh’s witnesses was his idea, actually.”
I close my eyes, feeling a sudden ache behind them. Or maybe just feeling as if I’m still in court, the long day still not over.
“Is Katherine Welsh aware that you plan to provide an alibi for Rob?”
“She is,” Claire Jacobson says. Another cat smile. “I was trying to be honest with her about my dishonesty.”
“I hate to break this to you, Claire,” I say. “But I’m an officer of the court. I can’t knowingly allow you to commit a crime.”
“What crime is that?”
“Perjury!”
“Prove it,” she says.
The doorbell rings then.
“That must be Robby,” she says, heading for the door.
“You’re having dinner with your husband?” I ask.
“No,” she says, over her shoulder.
Then she is opening the door and escorting the good-looking, dark-haired man in a dark tailored suit and earring, a man I think I vaguely recognize, toward where I am sitting in the living room.
“Jane,” she says, “I’d like you to meet my friend Robby Sassoon.”
NINETY-SEVEN
Jimmy
JIMMY IS BACK IN Sag Harbor when Jed Bernstein calls and gives him an address in Barnes Landing, an almost secret section of Amagansett, on Gardiners Bay. Jimmy knows the area, knows how the most expensive houses there overlook the small beach and the bay beyond. Almost like a gated community without the gates.
“It’s one of Sonny’s many safe houses,” Bernstein says.
“Safe for whom?” Jimmy asks.
“Not you if you were lying to me about why you wanted to see him,” Bernstein says. “So you better not be screwing around here.”
Bernstein gives Jimmy a time then, tells him to come alone, reminds him again not to screw around, even though that is exactly what Jimmy Cunniff plans to do tonight.
